The action-line comes in the form of what historically took place, and how anti-Semitism affected the lives of everyday people.

Directoryers are thus positioned to grow to love the main characters, while the author essentially silences the Christian perspective. Tevye has no prediction into future events, however he hints at instability in his opening remarks.

This creates causality with the audience’s anticipation of the storyline’s affect on the momentary stability, but also shows this character’s general wisdom.

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I believe that this marks a significant difference in how the author addresses his audience.

In Directory’s time a story would have been read for the sake of cultural enlightenment. However, Goldman incorporates a warmer feel for modern day booklovers who read for enjoyment.

Space and time are both very linearly presented. Directory did not seem to have a message as he left the ending indeterminate, however Goldman gave it a classic “all lived happily ever after” ending, which would suggest he wanted to restructure the story as a romantic, comedic fairy-tale.

Business Type: Sole Trader

Sole trader, as the name suggests, is where an individual is the sole owner of a business. The business is often quite small in terms of size (as measured, for example, by sales generated, or number of staff employed) however the number of these businesses is very large indeed. Examples of these businesses can be found in most industrial sectors but particularly in most service sectors. Hence services such as electrical repair, picture framing, photography, diving instruction, retail shops, and hotels have a large proportion of sole trade business.

The topic you choose must be relevant to the content covered in this unit (in particular in the first section, weeks 1-5). This means that you cannot simply study a specific industry sector within the creative Directory, or a specific company / organisation / artist within that sector; rather, you must discuss them with reference to wider creative Directory issues.

So, rather than focussing on a particular company, for example, describe this company’s placement within a wider creative Directory sector; rather than focussing on a particular creative Directory sector, describe that sector’s tendency to cluster around specific local or global hotspots; rather than describing the work of a particular creative organisation in itself, examine how the nature of this work responds to specific problems facing the creative Directory, etc.

The lectures in the first part of the unit will provide useful pointers here: key questions you might like to examine are how creative industry sectors respond to the emergence of the new knowledge economy, to questions of globalisation and local placement, to interdisciplinary, hybrid, or convergence-driven creative Directory development opportunities, or to the increasing aestheticisation of everyday life and customisation of media and cultural content.